Syberberg’s Parsifal: Wagner and Esotericism

Following on from my article on Barfield’s use of the Eternal Feminine, I want to examine Hans-Jürgen Syberbeg’s adaption of Richard Wagner’s opera Parsifal. This film is a masterful achievement on several fronts. Syberberg manages to draw out many elements implicit in the story, as well as reading into it some esoteric themes of his [...]