Tolkien, Fabre d’Olivet, and the Great Triad (A Note)

It behoves me to issue a self-correction, with regards to my last post about the Platonic Soul in Tolkien’s work. On reading into the symbolism of the right-angled triangle, in René Guénon's The Great Triad, I realised I had mapped out the correspondences between the Soul and Lingard’s geometry poorly. This is how Guenon expresses [...]

Regarding the Platonic Soul and ‘Tolkien’s Dialectic’:

A recent discussion with Carl Lingard on the nature of Tolkien’s “secret grammar” led to the question of whether Plato’s teaching on the soul might be mapped onto what Lingard calls ‘Tolkien’s Dialectic’.1 In Plato’s understanding, the soul is made up of three “parts”; reason, will, and appetite. These correspond respectively to the head, the [...]

Tolkien and Hyperborea – The Four Ages of Middle-earth

It is somewhat surprising, given the popularity of Tolkien’s works, that relatively little attention has been paid to some of the supplementary artwork for The Lord of the Rings and the Silmarillion. Among the more intriguing pieces produced by the author are the heraldic designs for the various Elven houses. To my mind, no one [...]

Four Hobbits – Four Humours

Inspired by the work of Carl Lingard, who has gone into great depth at his blog, thewindrose.net looking at Tolkien’s “secret grammar” and the hidden etymologies of many names and places in The Lord of the Rings, I did a bit of research of my own into some character names, with the help of wiktionary [...]

Why does Lancelot become a Werewolf?

An Analysis of Charles Williams’ The Son of Lancelot In William’s poem The Son of Lancelot, we are treated to a dramatic tableau of pagans dancing on the Palatine hill in Rome during the Lupercalia festival. This is led by vicars of Rhea Silvia, the mother of Romulus and Remus, who conceived the twins after [...]

Some Sketches for Charles Williams’ The Vision of the Empire

The king's poet gazed in the mirror of the Horn... Phosphorescent on the stagnant level a headless figure walks in a crimson cope, [...] His guard heaves round him; heaven-sweeping tentacles stretch, dragging octopus bodies over the level;

Owen Barfield’s ‘The Rose on the Ash-Heap’ and the Eternal Feminine

Owen Barfield was a member of the Oxford Inklings, alongside J.R.R. Tolkien and C.S. Lewis, a writer, poet, and devotee of Rudolf Steiner’s Anthroposophy. He is seldom talked about except by academics, yet he had a great impact on the writing of his friends, and his own considerable creative efforts merit attention. His one unpublished [...]

Why is Taliessin a Unicorn?

Following on from my last article on the Octopods in P’o-lu, I thought I would attempt a brief look at Taliessin’s Song of the Unicorn, to see if we can make any interpretations of its symbolism in a traditional vein. While the answer may get very abstract and philosophical, the question I have to ask [...]

Why are there ‘Octopods’ in P’o-lu?

Any readers of this blog unfamiliar with Charles Williams’ Taliessin poems will have to forgive this rather absurd-sounding question, and may pass over the answers given here. But, really, why are there octopods in P’o-lu? The reason, I believe, is linked to Williams’ use of the Zodiac. The octopus corresponds to the house of Cancer, [...]

Debut Novel Release

My debut novel is now available in paperback and ebook via Amazon - order a copy today! In this Kafkaesque, escapist, adventure story, Joseph K, a young lawyer, arrives at the mysterious and perplexing Postlethwaite Estate – a world unto itself, governed by ancient traditions and a host of eccentric and comic characters.K must learn [...]