Syberberg’s Parsifal: Wagner and Esotericism

Following on from my article on Barfield’s use of the Eternal Feminine, I want to examine Hans-Jürgen Syberbeg’s adaption of Richard Wagner’s opera Parsifal. This film is a masterful achievement on several fronts. Syberberg manages to draw out many elements implicit in the story, as well as reading into it some esoteric themes of his [...]

Owen Barfield’s ‘The Rose on the Ash-Heap’ and the Eternal Feminine

Owen Barfield was a member of the Oxford Inklings, alongside J.R.R. Tolkien and C.S. Lewis, a writer, poet, and devotee of Rudolf Steiner’s Anthroposophy. He is seldom talked about except by academics, yet he had a great impact on the writing of his friends, and his own considerable creative efforts merit attention. His one unpublished [...]

Why are there ‘Octopods’ in P’o-lu?

Any readers of this blog unfamiliar with Charles Williams’ Taliessin poems will have to forgive this rather absurd-sounding question, and may pass over the answers given here. But, really, why are there octopods in P’o-lu? The reason, I believe, is linked to Williams’ use of the Zodiac. The octopus corresponds to the house of Cancer, [...]